Explores the lives and experiences of black women in Nova Scotia, their contributions to the home, the church and the community and the strengths they passed on to their daughters.
This anthology establishes a new Black prairie literary tradition and transforms inherited understandings of what prairie literature looks and sounds like. It collects varied and unique work by writers who were both conscious and unconscious of themselves as Black writers or as “prairie” people.
As Cheryl explores her ancestry, what comes to light gives her the confidence to claim her place in the Canadian west as a proud Black woman. In this beautiful, moving work, she celebrates the Black experience and Black resiliency on the prairies.
Delving behind Canada's veneer of multiculturalism and tolerance, Policing Black Lives traces the violent realities of anti-blackness from the slave ships to prisons, classrooms and beyond.
he first book to consoloidate the field of African Canadian Art History. In this book, Charmaine A. Nelson and her colleagues--a group of established and up-and-coming artists, scholars, and cultural critics--argue for an African Canadian Art History that can simultaneously examine the artistic contributions of Black Canadian artists within their unique historical contexts, critique the colonial representation of Black subjects by white artists, and contest the customary racial homogeneity of Canadian Art History.
The six essays collected here explore three hundred years of Black women in Canada, from the seventeenth century to the immediate post-Second World War period.
Black Canadian Studies is the exploration of the range of histories, experiences, contributions, perceptions, feelings, convictions, triumphs, and obstacles awaiting to be overcome, of identified Black people of African descent resident in Canada.